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Muso seeks muse

Posted in Uncategorized on March 9th, 2010 by Rachael – Be the first to comment

Lee Groves – most recently known as the production force behind Bertie Blackman’s ARIA blitzing last album – is desperately seeking cinematic inspiration. As such, you could have this composer/producer/programmer/mixer as maestro on your next short.

Having co-produced, recorded and edited sample CDs with Norman Cook, Coldcut, Pascal Gabriel, Neil Conti (Prefab Sprout/David Bowie), Miles Bould (Sting/Robert Palmer), Dave Ruffy (Ruts/Sinead O’Connor), Danny Cummings (Dire Straits/George Michael) and personal sample library products with Vince Clarke and JJ Jeczalik from Art Of Noise, Groves’ sample sounds can be heard on albums from Mirwais (Madonna) to The Crystal Method, Yello through to the Matrix soundtrack, Gary Numan to the Batman Forever soundtrack.

For three years he worked with Mark “Spike” Stent at the MixSuite, Olympic Studios, with projects including tracks for Black Eyed Peas, Depeche Mode, Aqualung, Goldfrapp and forthcoming Radiohead tracks.

This gives but a hint of the man’s diverse talent. Dazzle him with your next film idea.

Contact: Level 7 Studios, Sydney
Email: lee.groves@mac.com

Aust Film needs an Anthem

Posted in Uncategorized on October 22nd, 2009 by Rachael – Be the first to comment

The Chauvel possibly hadn’t seen so such a big audience in a long while. And that was precisely the problem. Which is why it was packed to the rafters for Metro Screen’s industry event ‘OZ FILMS Vs. OZ AUDIENCE‘, a panel based discussion a few hours ago led by Andrew Urban.

The findings were varied, so much so that aspirations for a 10-point plan at the beginning resulted in only two by the end – and one of those divided opinion.

But the resounding message, proposed by AFTRS’ Dr Karen Pearlman and discussed at length in the December issue of the film school’s journal Lumina, was that Australia needs to “stop telling its own stories” and start “making more myths”. Stories of scale, dynamism and, above all, inspiration.

In other words, it needs less slit-your-wrists a’capella style films and more anthems to rouse the masses. (Or, more’s the point, both. And everything in between.) Where is the We Will Rock You of Australian film? The Wonderwall? The FIFA World Cup playlist?

Then we might hear the stomp of many happy feet into our cinemas when the next Australian film is screening.

Other highlights of the night included:

• “It’s a fallacy that [Australia] has poor creativity. I read five scripts a week and most of them are crap. A good script is really, really difficult and we churn out about as many of them as you’d expect.” – Troy Lum, Hopscotch Entertainment

• “Remember what Hitchcock said: Film is life with the boring bits cut out.’ Well, we don’t cut the boring bits out!” – Tony Ginnane, http://www.spaa.org.au/

• “We need to get some perspective: these people [who don't watch Australian films] wouldn’t have seen Half Nelson either, or La Vie En Rose – and that was nominated for the Oscar for Best Foreign Film!” – Rachel Ward, director of Beautiful Kate

• “Think of the last ride in The Man From Snowy River. Australian audiences want that moment! They don’t mind the tough trip but they want that payoff.” – Margaret Pomeranz, At The Movies

• “Most of our successful films – Crocodile Dundee, Happy Feet, Priscilla: Queen of the Desert – have been hero stories… films that tell them we can endure things” – Garry Maddox, SMH

• “We need to invest in the foundation – time, money – not just in the infrastructure [of development process]” – Louisa Carlin, Australian Writers’ Guild

• “I disagree with paying ‘writers in rooms’.” – Dr Ruth Harley, Screen Australia

• “It’s not the number of drafts, it’s the idea behind it. Every writer should have 20 ideas. If one’s not right, stop peddling it around! Move on to another one… This is the business of ideas.” – Troy Lum

and…

• “These are good films. If Australian don’t want to see them, STUFF THEM! They’re bloody lazy!” – Margaret Pomeranz
Panel member Margaret Pomeranz

To hear Troy Lum talk more about “the business of ideas” and his place in it, come to Friday On My Mind tonight, Friday Oct 23, at AFTRS.

A Hitchhiker’s Guide to Computers

Posted in Uncategorized on October 9th, 2009 by Rachael – Be the first to comment

Ron Cobb is an American cartoonist and concept artist based in Sydney whose credits include Star Wars (1977), Alien (1979), Conan the Barbarian (1982), The Last Starfighter (1984), Back to the Future (1985), The Abyss (1989) and Total Recall (1990).

In this outtake from my interview with him yesterday, we glean an anecdote about his friend Douglas Adams, the author of Hitchhiker’s Guide to the Galaxy and renowned Apple advocate:

“Douglas was a great enthusiast about science and humour and satire. I was asked to design an early TV version of Hitchhikers Guide to The Galaxy that was never made. Douglas didn’t like the BBC version – though I liked it. Douglas and I hit it off immediately. But ultimately the ABC [American Broadcasting network] wanted to Americanise it too much. That was ultimately a disastrous idea and much to my relief it was cancelled.

“I can say I brought Douglas into the world of computers, which he satirized so much in Hitchhiker’s Guide. I said ‘they really are going to be marvelous, extraordinary things!’ I eventually talked him into getting a little Macintosh. He later traveled the world advocating Apple computers and knew far more about computers than I ever did! In his apartment in London he had a whole room stacked with old Macintoshes!”

– Douglas Adams was an Apple user until his death in 2001. Adams was made an “Apple Master”, one of several celebrities (including included John Cleese and Gregory Hines) whom Apple made into spokespeople for its products.

A full interview with Ron Cobb will be published in the December issue of Lumina.

How to Make Friends and Put Bums on Seats

Posted in Uncategorized on October 7th, 2009 by Rachael – 1 Comment

Which Australian films are considered a must-see by Australian audiences and why (or why not) is on everyone’s mind.

And the Chauvel is bound to be full on October 22 when an industry forum is presented by Metro Screen (6.30pm–8.30pm) to discuss just this.

Why don’t the majority of Australian films attract Australian audiences? Why did Australian films represent only 3.8% of the total box office last year? What can be done about it?

All this and more at ‘OZ FILM VS. OZ AUDIENCE’. And only $5 a seat.

Moderator: Andrew Urban
Panelists:
Dr Ruth Harley – CEO Screen Australia
Troy Lum – managing director of Hopscotch Films
Margaret Pomeranz – At The Movies ABC
Garry Maddox – journalist, Sydney Morning Herald
Susan Hoerlein – publicity & promotions manager, Tsuki Marketing
Rachel Ward – actor/writer/director
Anthony I. Ginnane – SPAA

Book online here at Metro Screen.

this week at FOMM: Robert Connolly

Posted in Uncategorized on August 3rd, 2009 by Rachael – Be the first to comment

In the Line of Fire
Robert Connolly

From The Boys to The Bank to Three Dollars, Robert Connolly’s films have always had a political dimension. In Balibo, he turns his eye to the international arena with his depiction of the death of six journalists in events surrounding Indonesia’s invasion of East Timor in 1975.

See my review of the film here.

Time: 5-6pm
Date: Friday, August 7
Venue: AFTRS Theatre, Fox Entertainment Quarter

Friday On My Mind is AFTRS‘ weekly event bringing you face to face with the industry’s brightest thinkers.

Free entry. Free 2-hr parking. All welcome.

this week at FOMM: Liz Ann Macgregor

Posted in Uncategorized on July 28th, 2009 by Rachael – Be the first to comment

Making Art Accessible
MCA’s Liz Ann Macgregor

The director of the Museum of Contemporary Art, Liz Ann Macgregor talks to us about the state of contemporary installation and the importance of integrating art within the public, urban experience.

Time: 5-6pm
Date: Friday, July 31
Venue: AFTRS Theatre, Fox Entertainment Quarter

Friday On My Mind is AFTRS‘ weekly event bringing you face to face with the industry’s brightest thinkers.

Free entry. Free 2-hr parking. All welcome.

long live Lumina!

Posted in Uncategorized on July 1st, 2009 by Rachael – 1 Comment

The Australian Film Television and Radio School has continued its “rethink” of the screen sector with the launch of its new film journal Lumina.

lumina1

David Stratton cut the tape on what is a dedicated space for examination and rumination on the current state of the Australian screen sector – in particular, as the cover implies, the nexis between art and industry.

Lumina’s editorial team comprises AFTRS CEO Sandra Levy, Head of Business Studies David Court, Head of Screen Studies Karen Pearlman and yours truly. The leading essay is by Baz Luhrmann.

Other contributions to the 180-page publication include select transcripts from Friday on My Mind, as well as from Andrew Urban’s The Knowledge, genre essays including David Stratton’s ‘Origins of Horror’, and Vincent Sheehan’s argument for ‘Why Australian Producers Should Think More Like Distributors’.

Stratton welcomed Lumina as a “journal that is provocative, insightful and entertaining.”

Lumina will be sold at selected bookshops. Issue 2 is already underway – may there be many more.

Red Hot Shorts takes off

Posted in Uncategorized on June 24th, 2009 by Rachael – Be the first to comment

A regular and brand spanking new showcase of cutting-edge short films and music clips is set to launch in Melbourne on July 3.

Red Hot Shorts is a venture by a Gus Berger, whose track record spans music and film industry. I like his style.

First session includes Nash Edgerton’s Sundance hit Spider, as well as Bertie Blackman’s ‘Heart’ clip and Bjork’s ‘Human Behaviour’.

Studio 1, Australian Centre for the Moving Image
Federation Square, Melbourne
From 7.30pm

$10 Adult / $8 Conc. Tickets from the ACMI Box Office

redhotshorts1

For details on submitting your film, email
films@redhotshorts.com.au

Feeling_Lonely? WOW!

Posted in Uncategorized on June 4th, 2009 by Rachael – Be the first to comment

My short film Feeling_Lonely? (produced with Melissa Beauford), which toured LA Shortsfest, Manhattan Short Film Festival, Sydney, Brisbane and Rome Film Festivals before winning Best Short Drama at the WOW Film Festival, will screen at ACMI, Melbourne this Saturday at 4pm.

fomm: Cannes!

Posted in Uncategorized on April 24th, 2009 by Rachael – Be the first to comment

Friday On My Mind is delighted with the official news that Bright Star (dir. Jane Campion, prod. Jan Chapman) and Samson & Delilah (dir. Warwick Thornton, prod. Kath Shelper) have been selected to screen at the 2009 Cannes International Film Festival.

Bright Star will screen in Official Competition while Samson & Delilah has been selected for the Festival’s Un Certain Regard section.

Samson and Delilah screened to a full house tonight at Friday On My MInd after the news came through late yesterday. Jan Chapman also had the theatre full to overflowing when she joined us on April 3.

Friday On My Mind is AFTRS‘ weekly event bringing you face to face with the industry’s brightest thinkers.