{"id":251,"date":"2009-03-22T13:32:08","date_gmt":"2009-03-22T02:32:08","guid":{"rendered":"http:\/\/www.rachaelturk.com\/?p=251"},"modified":"2009-03-22T13:32:08","modified_gmt":"2009-03-22T02:32:08","slug":"mary-max","status":"publish","type":"post","link":"https:\/\/www.rachaelturk.com\/?p=251","title":{"rendered":"Mary &#038; Max"},"content":{"rendered":"<p>Writer\/Director: Adam Elliot<br \/>\nProducer: Melanie Coombs<br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rachaelturk.com\/wp-content\/uploads\/2009\/03\/max-1-1.jpeg\" alt=\"Max\" title=\"Max\" width=\"136\" height=\"76\" class=\"alignnone size-full wp-image-252\" \/><\/p>\n<p>[in Australian cinemas April 9 through <a href=\"http:\/\/www.iconmovies.com.au\/\">Icon<\/a>]<\/p>\n<p>With his self-effacing homage to \u201cdifference\u201d and evolution of a medium, Adam Elliot has created something wonderful with his first feature-length claymation.<\/p>\n<p><em>Mary &#038; Max<\/em> unfolds through the cross-Pacific correspondence between two unlikely pen pals. Though both outsiders for different reasons, 8-y-o Mary Daisy Dinkle and 300 lb New Yorker Max Horowitz share loneliness and a love of chocolate.<\/p>\n<p>The tone and structure are reminiscent of Leunig\u2019s book <em>The Curly Pyjama Letters<\/em>, and the characters are defined by a <em>Benjamin Button<\/em> innocence and <em>Forrest Gump<\/em> goodness. But most of all, M<em>ary &#038; Max<\/em> references Elliot\u2019s body of work so far: his early shorts <em>Uncle<\/em>, <em>Cousin<\/em> and <em>Brother<\/em>, and his Oscar winning short with producer Melanie Coombs, H<em>arvie Krumpet<\/em>. His animation, like life, has fingerprints on it \u2013 and that\u2019s what makes it real.<\/p>\n<p>Despite themes ranging from cerebral palsy to Asperger\u2019s Syndrome, depression and suicide, Elliot finds the light side of life as characterised by a distinct sense of compassion and good humour. Filled with the quirky minutiae of life, his work stands as an affirmation of humanity on the grandest scale. <\/p>\n<p>The film opened this year\u2019s Sundance Film Festival and, in its first Sydney screening at <a href=\"http:\/\/www.aftrs.edu.au\/aboutus\/newsevents\/news\/fridayonmymind-everyfridayat5pm.aspx?type=news&#038;archiveYear=\">AFTRS<\/a> Friday night, the theatre was full house and overflowing with praise.  <\/p>\n<p>Forget \u20181000 Films to See Before You Die\u2019 \u2013 <em>Mary &#038; Max<\/em> should be in your Top 10.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.rachaelturk.com\/wp-content\/uploads\/2009\/03\/mary-1-1.jpeg\" alt=\"Mary\" title=\"Mary\" width=\"133\" height=\"85\" class=\"alignnone size-full wp-image-253\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Writer\/Director: Adam Elliot Producer: Melanie Coombs [in Australian cinemas April 9 through Icon] With his self-effacing homage to \u201cdifference\u201d and evolution of a medium, Adam Elliot has created something wonderful with his first feature-length claymation. Mary &#038; Max unfolds through &hellip; <a href=\"https:\/\/www.rachaelturk.com\/?p=251\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[62],"class_list":["post-251","post","type-post","status-publish","format-standard","hentry","category-my-reviews","tag-short-animation"],"_links":{"self":[{"href":"https:\/\/www.rachaelturk.com\/index.php?rest_route=\/wp\/v2\/posts\/251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.rachaelturk.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.rachaelturk.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.rachaelturk.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.rachaelturk.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=251"}],"version-history":[{"count":0,"href":"https:\/\/www.rachaelturk.com\/index.php?rest_route=\/wp\/v2\/posts\/251\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.rachaelturk.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.rachaelturk.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.rachaelturk.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}